Lord of the Rings

Don’t miss ‘Mickey 17’; skip new LOTR & Captain America

Posted on by earthtoshawna

Sitting in the dark theater, watching the many horror trailers, or rather, trying not to watch them, I suddenly realized (with horror) that the movie I was about to watch, “Mickey 17,” might in fact also be a horror movie. I hadn’t even seen a trailer for it. I only knew it was the newest film from Bong Joon-ho, the director of “Snowpiercer,” “Okja,” and “Parasite.”

It isn’t scary. But, like his other films, it’s disturbing and intense (and not for kids). It’s also pretty great. You know going into a Bong movie that it’s going to be dark and funny and meaningful. That’s why I bought tickets for opening weekend, even though I knew almost nothing about it.

(If you also want to go in knowing nothing about it, you may want to come back after you’ve seen it, as the following description includes some spoilers.)

The film, based on an Edward Ashton novel, centers on a mission to colonize a distant planet. The titular Mickey (Robert Pattinson) has signed up to be an “expendable” – his job is to be a guinea pig for things like poisonous gases, radiation, etc. He repeatedly dies and is reborn – from a giant human printer.

Mark Ruffalo plays Kenneth Marshall, an egotistical politician who heads the mission. Most of the crew members have signed on because they’re crazed fanatics who would follow him anywhere. (Remind you of anyone?)

If it sounds silly, it’s supposed to be. It’s one of those crazy movies where you don’t know what is going to happen next. It had a similar vibe to Bong’s movie “Okja,” so if you liked that movie, you would likely enjoy this one. The great thing about Bong’s movies is that while he’s holding a mirror up to our own society, you are laughing and cringing and going along for the ride.

Bong’s style is reminiscent of another well-known director of outlandish and satirical movies, Yorgos Lanthimos. (I much prefer Bong’s style, as Lanthimos’ goal often seems to be inspiring disgust.)

I also was reminded of other clone stories like the 1996 movie “Multiplicity” and the 2019 series “Living with Yourself,” but the clone concept in “Mickey” was only one part of the larger story. Check it out for yourself; I don’t want to give too much away.

Two other movies I had been eagerly anticipating did not live up to my expectations. The first is “Captain America: Brave New World.” The Disney+ series “The Falcon and the Winter Soldier” was well done, and I hoped for this new movie to continue with that level of writing. Unfortunately, the new movie is not one of the better entries in the MCU franchise.

It is possible I was not following along very well, but I found the plot confusing, and a little cheesy. Sam Wilson (who has taken up the mantle and shield of Captain America) and Joaquin Torres investigate a conspiracy involving Thaddeus Ross, who is now the U.S. president and is played by Harrison Ford. (Ross was previously portrayed by William Hurt, who passed away in 2022.)

I will not go into detail, but among the many inconsistencies that don’t make sense to me: “The Falcon and the Winter Soldier” ended with super soldier Isaiah Bradley in hiding. In “Brave New World,” Bradley is no longer in hiding, and no explanation or background is given regarding that plot point.

Another issue I have is with Bucky Barnes, who appears only briefly, and is running for Congress. No explanation is given here either, although there must be one, as this is out of character for the Bucky we have come to know. Perhaps that will be explained in the upcoming “Thunderbolts*” (scheduled to be released May 2), which will, I hope, be more fun.

(Did “Brave New World” meet your expectations? Let me know in the comments or on my Facebook page!)

The animated movie “The Lord of the Rings: The War of the Rohirrim” was just OK. There is an anime vibe, but the backgrounds look like they were taken from photos, which was interesting but also slightly jarring, and I’m not sure if that was the intention.

The plot was formulaic and clichéd: Hera, the strong-willed daughter of the king of Rohan, turns down a marriage proposal from Wulf, the son of a Dunlending lord. Wulf feels entitled to Hera and is angry by the rejection, which leads to the two sides fighting in a long, drawn-out war. It feels Games of Thrones-ish, in that hundreds of people have to die in a war for someone else’s stubbornness and spite. I guess that describes most war stories – and actual wars, for that matter.

Southern California happenings

March is the 10th annual Mermaid Month at the Ventura Harbor Village. Enjoy mermaid-themed treats, scavenger hunts, and shopping specials all month long. Mermaid and pirate cosplay is encouraged.

A special event from 1 to 4 p.m. on March 22 will include mermaid photo ops, ice sculpting, bubble shows, arts and crafts activities for kids, live music, and more. Parking and admission are free.

For details, visit https://www.venturaharborvillage.com/mermaid-month-2025/?2025-03-04/

A Salute to the Women in Sci-Fi convention is coming to Burbank on March 22 and 23. Special guests include Tricia Helfer, Adrianne Palicki, and Denise Richards. All profits will be donated to Los Angeles charities including Defy: Disaster & Random Acts Natural Disaster Recovery Fund. Learn more about this event and purchase tickets here: https://www.creationent.com/cal/scifi_bur/index.html

There are a lot of sci-fi and fantasy conventions coming up – too many to list in this post. To find events in your area, go to https://fancons.com/

The Original Renaissance Pleasure Faire will be Saturdays and Sundays from April 5 to May 18 in Irwindale. Themed weekends include Pirate & Marketplace Weekend April 12 and 13, Cottagecore Weekend April 19 and 20, and RennCon April 26 and 27.

If you have never been to the Faire, I recommend going at least once. It’s especially fun to dress up in costume, and there are lots of vendors and shows, live music, acrobats, jousts, and more.

One of the best things is seeing everyone’s costumes and pretending you’re living in a different era, at least for a few hours.

For more information, and tickets, go to: https://renfair.com/socal/

Universal Studios Hollywood has announced its new Universal Fan Fest Nights, select nights from April 25 to May 18. Themes include Star Trek, Back to the Future, Dungeons & Dragons, One Piece, Jujutsu Kaisen, Harry Potter, and Super Nintendo World, and will include “experiences,” themed food, and exclusive merchandise. You can buy tickets here: https://www.universalstudioshollywood.com/hhn/things-to-do/events-and-seasonal-activities/fan-fest-nights

I didn’t watch the Oscars this year, but I was very happy to hear the movie “Flow” won for Best Animated Feature. It was the first indie film to win in this category, and it was the first Latvian movie to win an Academy Award and a Golden Globe.

Congrats to filmmaker Gints Zilbalodis!

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Sci-fi sequels, prequels, remakes, and reboots …

Posted on by earthtoshawna

The movies I’m talking about today are my husband’s picks. They’re sequels or prequels to some of his favorite series, which are themselves remakes or reboots of series from the ’70 or ’80s, so us Gen Xers started watching them when we were kids.

First up is “Furiosa: A Mad Max Saga.” I went into this with low expectations, as I did not love “Mad Max: Fury Road.” I normally like postapocalyptic stuff, but not this subgenre which seems to be revenge-flick/car-chase-movie-but-with-monster-trucks.

I do love Charlize Theron though (who was in “Fury Road”), and Anya Taylor-Joy did an amazing job playing the younger version of Theron’s character, the titular Furiosa. With a prosthetic nose, Chris Hemsworth was unrecognizable – and also amazing – as Dementus, the warlord of a biker gang.

I liked this more than “Fury Road,” if only because I was able to follow the plot better this time. I was on the edge of my seat the entire 148 minutes, which I guess is a good sign – if you’re the type of person who likes experiencing anxiety for fictional characters. There’s a lot of torture and other gross stuff that inspires disgust and dread (and I think that’s probably the goal here). Despite knowing Furiosa had plot armor, it was intense and suspenseful. I admit that’s better than watching a movie where you don’t care what happens to the characters, but I was relieved when it was over.

George Miller is a skilled filmmaker; he brings you right into this cruel and gritty futuristic world. The problem is that I don’t want to be there.

I felt the same way about “Dune: Part Two.” The cast is wonderful (I love Zendaya and Timothee Chalamet), the cinematography makes you feel like you’re in Arrakis – suffering with them. It is emotional and dark and not a place I want to be for 166 minutes.

Like “Furiosa,” it’s unsettling and creepy. If you compare “Furiosa” and “Dune” to say, the “Guardians of the Galaxy” movies, which are also violent and sometimes dark, at least the Guardians series is balanced with lighthearted, hopeful moments, connection, and humor, whereas “Dune” and “Furiosa” are bleak and depressing.

Of course, I realize these movies aren’t trying to be Marvel movies. The new Dune films are directed by Denis Villeneuve, who has earned nominations and awards, but is not known for uplifting, feel-good movies. (And the books are bleak as well.)

My take is that real life is depressing enough. And I live in a hot desert; I don’t care to watch it onscreen. To make matters worse, we saw this in the theater and the electricity went out. We had to evacuate the building halfway through the film and didn’t get around to watching it again until a couple weeks later.

Another sequel to a movie franchise that began in the ’80s, “Ghostbusters: Frozen Empire,” came out in March and we saw it in theaters. It was a little more fun than 2021’s “Ghostbusters: Afterlife,” maybe because we were just meeting the newer characters for the first time and now we “know” them. This time around, they’re in New York City, battling a powerful entity known as Garraka.

It’s not deep or earth-shattering; it’s Ghostbusters. But it’s entertaining enough and it’s less than two hours long (but not much less, at 115 minutes).

The fourth film in a franchise rebooted in 2011, “Kingdom of the Planet of the Apes” takes place 300 years after the events of the previous film (“War for the Planet of the Apes,” 2017). This one was 145 minutes. Why are all these movies longer than two hours?

Even though the characters are mostly chimpanzees, it reminded me of “Furiosa.” Postapocalyptic worlds, kidnappings, revenge, etc. And again, it’s stunning and impressive. If you’ve seen any of these movies, you know the CGI looks convincing and real. I just wish they’d spent as much time and effort stitching up all the plot holes.

Another sequel coming up this summer is “Alien: Romulus,” the seventh movie in the Alien franchise. It is set between the events of the first two movies, “Alien” (1979) and “Aliens” (1986). It will be in theaters Aug. 16.

In yet more prequel/sequel/reboot news: The second season of “The Lord of the Rings: The Rings of Power” will be available on Amazon Prime on Aug. 29.

Season 2 of the other long blond wig show, “House of the Dragon,” will premiere on HBO on June 16.

Here’s hoping they start off with a bang instead of the slow burn that characterized their first seasons.

Over on Disney+, the miniseries “Agatha All Along” (a spinoff of the Marvel series “WandaVision”) will air the first two episodes on Sept. 18, with subsequent episodes released weekly.

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Tolkien, Marvel, Star Wars, Game of Thrones, repeat

Posted on by earthtoshawna

Well, I think it’s finally happening to me: Franchise burnout. I am really not that impressed with HBO’s “Game of Thrones” prequel series “House of the Dragon,” and Amazon’s “Lord of the Rings” prequel series “The Rings of Power” isn’t blowing me away either. And I’m not eagerly anticipating the new Star Wars series “Andor” (Disney+). I feel like I should want to watch all the new offerings from these popular sci-fi and fantasy franchises but honestly, I kind of just don’t care.

I doubt I would have even bothered with the Targaryens or the saga of Tolkien’s elves if it had not been for my husband convincing me to watch with him. Is it just me? Maybe I’m just tired in general. It’s a balmy 110 degrees where I live and it’s draining my will to do much of anything lately, much less care about Westeros or Middle-earth.

I’m happy to see there’s more diversity than I expected from these two series but both shows are still leaning white and blond, especially (most of) the lead characters. I guess they get points for including actors of different ethnicities, even if they are mostly peripheral characters? (I have read that some people are having a problem with any people of color in these shows, which I find confusing and sad.)

There is more diversity than I expected from these series but there’s still a lot of blond going on. Above, Galadriel from “The Rings of Power”; left, Rhaenyra from “House of the Dragon.”

Another issue I have with these series is that the events took place years before the original series. We already know how “Game of Thrones” ended – who cares what happened 200 years before that? (And let’s face it – the end of “Game of Thrones” sucked, which doesn’t help.)

We also already know what happened in “Lord of the Rings.” Do we really need to know what happened thousands of years before Frodo and Sam went to Mordor?

It seems a bit crazy to me that Amazon paid $250 million(!) for the rights to these stories, and they’re based mostly on appendices!

I realize they are banking on the name to draw viewers, but I would have been more interested in seeing something new. I think the post-apocalyptic Koli trilogy by M. R. Carey would be a fantastic miniseries, if they had the right writers and actors attached.

I would also love to see Charlie Jane Anders’ novel “All the Birds in the Sky” adapted to a movie or series. Her YA novel “Victories Greater Than Death” was picked up by Amazon Prime last year and is being developed by Michael B. Jordan’s production company Outlier Society. Hopefully they’ll do a good job with that so we’ll see more of her stories on the big and small screen.

Don’t get me wrong – “Dragon” and “Rings” aren’t really bad, just sort of boring. I guess it isn’t fair to judge them already since they’ve only released a couple episodes; maybe they are just getting warmed up. After all, “The Expanse” was confusing and boring at first, but it turned out to be awesome. So we’ll see.

“Andor” isn’t out yet. It was supposed to premiere on Aug. 31 but I assume its new release date, Sept. 21, is due to Disney+ not wanting it to compete against “Dragon” and “Rings.”

I hate to say this as a Star Wars fan, but why should we care about a prequel to “Rogue One,” which itself was a (boring) prequel? Having said that, I will probably still watch it. It’s Star Wars! (See, that’s how they get you.) Speaking of Disney, there’s another new Marvel series that just started: “She-Hulk,” which looked incredibly ridiculous in the trailer and actually is sort of ridiculous but is also kind of funny, and not as awful as I expected.

I like that it breaks the “fourth wall” and is sort of tongue-in-cheek, and of course Tatiana Maslany is super talented and adorable, which almost makes up for the silliness and the bad CGI.

That’s all for now. Tune in next time when I hopefully will have changed all my opinions on the aforementioned series because they dramatically improved halfway through!

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Don’t miss Image Comics’ ‘Saga’ and ‘Rat Queens’

Posted on by earthtoshawna

I confess I was late to the “Saga” party. When this epic comic came out three years ago, I made a mental note to check it out. “Saga,” written by Brian K. Vaughan, who wrote the clever post-apocalyptic comic “Y: The Last Man,” and illustrated by the very talented Fiona Staples, won several Eisner awards, and when the first volume was published, it won a Hugo award. 
 
But you know how it is – life gets in the way and I forgot about it. Now that I’ve had a little more time to read, I finally picked up Volume 1 and was blown away. I checked out volumes 2, 3 and 4 from the library, and read them one after another. Oh comic books, how I’ve missed you! And this comic book – where do I begin? 
 
Volume 5, the collection of comic books 25 through 30, picks up after a disgruntled android kidnaps toddler Hazel, and her mother and grandmother. Hazel’s father is in hot pursuit, along with a robot prince, whose robot infant has also been taken hostage. And Gwendolyn, Sophie, and The Brand are on the hunt for a cure for The Brand’s comatose brother. But let’s back up. 
 
At the heart of “Saga” are Alana and Marko, star-crossed lovers from warring worlds. Alana’s home planet is Landfall, and she has wings. Marko is from Landfall’s moon Wreath, where the natives have horns or antlers. Alana was a prison guard when she fell in love with Marko, who was a prisoner of war on the planet Cleave. 
 
The narrator of this crazy story is their little girl Hazel, presumably now an adult. Hazel’s babysitter, ghost girl Izabel, floats among the panels, with entrails hanging out from the hem of her t-shirt. (Sounds disgusting, but she grows on you.)
 
Fugitives, the young family is pursued across the galaxy by a host of bizarre alien characters including but not limited to an assassin called The Will and his huge, hairless, lie-detecting feline (a fan favorite, Lying Cat can only speak one word – “LYING!” – which comes in handy when you need to interrogate someone, but occasionally backfires as Lying Cat also calls out his master’s fibs); Prince Robot IV, who has a TV set in place of a head (the robots outsource their military to Landfall’s army); and Marko’s ex-fiancee, who is literally out for blood. 
 
Comparing their story to Star Wars or Romeo and Juliet or Game of Thrones or whatever doesn’t do this comic justice. It’s original, unique and unpredictable. Just when you think you know someone, they surprise you.
“Saga” is original, fun and addictive. It’s also violent and creepy, so take note that this is a comic for adults only. 
rat-queens
 
Another award-winning fantasy from Image, “Rat Queens,” is my other new favorite comic. It has been described by the author as “Lord of the Rings” meets “Bridesmaids,” a pretty accurate description. Imagine if the fellowship of Tolkien’s ring were made up of women. Now imagine their adventures being raunchier and way more fun, and you have “Rat Queens.” 
 
The queens, a foursome of female mercenaries, are dwarf Violet, human Dee, elf Hannah, and “smidgen” (halfling) Betty. The funny and irreverent warriors fight, drink, curse, and then fight some more. (Tasked with bringing rations on a quest, Betty packs a bag of candy and magic mushrooms. They all complain, but dig in anyway.) 
 
Like Saga, “Queens” has little inside jokes: One of the other mercenary groups is called Brother Ponies (a nod to the My Little Pony fans known as Bronies). 
 
What I love about the Queens is that they are strong women without becoming stereotypes of strong women. They’re badasses, but they are vulnerable. They still want love; they still get their feelings hurt when they are rejected. They all have different personalities. They aren’t cookie cutter characters.
 
One thing that I love about both of these comics is that they are entertaining while at the same time addressing serious issues like war and drug addiction. One “Saga” subplot centers around a young girl who was sold into sex slavery, and one of the Queens has reservations about the religion she abandoned. It gets deep, but not too heavy. Vaughan and Wiebe both strike the perfect balance in their writing. But don’t take my word for it; visit your local comic book shop or library and check out these awesome grown-up fairy tales for yourself. 
 
“Saga, Volume 5” (graphic novel) was released Sept. 15, and the 12th issue of “Rat Queens” is out today.
 

Saga, Volume 5
By Brian K. Vaughan and Fiona Staples
Image Comics, Rated Mature

Saga_26-1
 
Rat Queens
By Kurtis J. Wiebe and Tess Fowler
(Previously drawn by
Roc Upchurch and Stjepan Sejic)
Image Comics, Rated Mature
RatQueens_12-1