I had really been looking forward to “Thor: Love and Thunder.” I had high expectations, as it has the same director (Taika Waititi) as “Thor: Ragnarok,” which is one of the most fun, and funny, films in the Marvel franchise. Unfortunately, this new one is not as good as “Ragnarok.”
It was cool to see Thor, Valkyrie, Jane, and Darcy (briefly) again, and my inner (Slash-obsessed) teen was really happy about all the Guns N’ Roses tunes. And there are some funny moments, and some “Yay!” moments, but if you’re taking little kids to see this, or you’re in the mood for a feel-good movie, you might be a little bit disappointed.
My main complaint about “Doctor Strange in the Multiverse of Madness” is that it is basically a horror movie. I thought the Thor sequel would be more light-hearted and fun, and it is, but it is also darker than I expected. One might think the fun parts balance that out, but instead it comes across, to me anyway, as sort of disjointed.
My more detailed criticisms (which follow the photo) are full of spoilers, so if you haven’t seen “Thor: Love and Thunder” yet, maybe just skip down to my review of “The Boys.”
OK if you’re still with me and haven’t seen “Thor: Love and Thunder” yet, you’ve been warned. Spoilers follow!
Christian Bale is creepy and depressing as Gorr the God Butcher, and I know he’s supposed to be creepy because he’s the bad guy, but his origin story is unsettling, and his abduction of the kids is pretty dark. Isn’t it sad enough that Jane Foster is dying of cancer? Now there are monsters stealing little kids from their beds?
Almost as much of a bummer as the horror elements are the tired jokes. (The first time Korg botches Jane’s name is funny. Come up with a different joke after that.) Remember in “Endgame” when the writers thought it was funny to make fun of the fact that Thor got fat – like 12 times? That’s how I feel about the love affair between Thor and Stormbreaker. It’s amusing at first, and I know Natalie Portman has a reputation for not having chemistry with any of her co-stars but this script doesn’t help matters by whipping up more tension between Thor and his ax than between its human characters.
I was excited about Jane becoming Mighty Thor, and I stupidly thought they were going to be bringing her back for more than just this one movie. Mjolnir gives her powers but doesn’t cure her cancer? No; in fact, it actually hastens her decline. (Apparently, this is partially taken from the comics, the explanation being that the transformation purges her body of toxins, including the chemo.)
I love that we get this whole back story of Thor and Jane’s relationship, and that she turns into a superhero, and that she and Thor get back together, but then … it’s over. Then to add insult to injury we discover the love and thunder of the title refers not to Thor and Jane, but to Thor and the villain’s bratty orphan daughter! I guess it is supposed to be adorable, but it feels rushed and unearned. I guess I’m just bitter because I wanted Jane to have the happy ending with Thor.
I wanted a win for at least one of the bad-ass women in this film. Valkyrie is sidelined about halfway through the movie! I’m over this trend of women getting fridged and/or killed off. Is Jane’s role in this simply to sacrifice herself and to teach Thor how to open his heart to love? We already had Black Widow sacrifice herself in “Endgame.” And in “Multiverse,” Wanda was killed off (and was also a victim of character assassination). That’s just off the top of my head – and only in the last three years of Marvel movies.
Maybe I’m being unfair. I know it sounds like I hate this movie, but I don’t. I’ll watch it again and I’ll probably like it more the next time, and I’ll say I was too harsh in my review. Maybe.
I loved Frenchie and Kimiko this season. They are so pure and sweet with each other, and I really want them to live. Previously, my fave character on “The Boys” was Billy Butcher. (Don’t judge!) I even found Frenchie slightly annoying before, but now I’m 100% team Frenchie/Kimiko.
Unfortunately, the comments I keep seeing online about this show look like “Who cares about these two? Let’s get back to the supes.” Um? You don’t want to see Frenchie and Kimiko snuggling, but you’re OK with supes shrinking themselves to fit into someone’s uh … nether regions? You don’t want to see Frenchie and Kimiko singing and dancing, but you’re OK with yet another exploding head? What about the Deep doing stuff with an octopus? More than once?! Also, I don’t understand anyone who is turned on by Soldier Boy or Little Nina. And “Herogasm” made me nauseated. It’s possible (I mean likely) that this show isn’t for me. But. Homelander needs to die and I’m not going to stop watching until he does.
Speaking of singing and dancing, how much did you love the dance battle at the beginning of this season’s “Umbrella Academy”? As in “The Boys,” it was all in the imagination of one character, but it was still awesome.
I think the writers did a good job of handling Elliot Page’s storyline. Vanya is now Viktor, and the other siblings are supportive, which is nice.
I am not loving the Sparrows, but I guess we’re not supposed to like them. I really loved Season 2 of this series, and so far, Season 3 isn’t quite as good, but I’m only halfway through, so maybe it will get better.
‘Star Trek: Strange New Worlds’
When the first few episodes of SNW aired, I was kind of bored. “Discovery” was the new Trek, as far as I was concerned. SNW is just a spinoff! Right? Well. It reeled me in and now I’m all in with Space Daddy, er, PIKE, new Spock, Una, Chapel, La’an, New-Uhura (New-Hura?), Ortegas, M’Benga, and T’Pring.
There is much discussion in the fandom as to why this show works so well. Is it because it is episodic? Is it because it is so similar to the original series? Is it because it isn’t trying so hard to be, for lack of a better word, “woke”? Does it matter? It’s fun. Enough said.
Aside from the animated series (“Lower Decks” and “Prodigy”), which will be back this year, there are no release dates yet for any new or returning Trek series. “Discovery,” “Picard,” and “Strange New Worlds” are expected to return in 2023.
Coming up in August on Disney+ are the Marvel series “She-Hulk” (Aug. 17) and “I Am Groot” animated shorts (Aug. 10), as well as the Star Wars series “Andor” (Aug. 31). The “Game of Thrones” prequel series “House of the Dragon” premieres Aug. 21, on HBO.
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