House of the Dragon

Sci-fi sequels, prequels, remakes, and reboots …

Posted on by earthtoshawna

The movies I’m talking about today are my husband’s picks. They’re sequels or prequels to some of his favorite series, which are themselves remakes or reboots of series from the ’70 or ’80s, so us Gen Xers started watching them when we were kids.

First up is “Furiosa: A Mad Max Saga.” I went into this with low expectations, as I did not love “Mad Max: Fury Road.” I normally like postapocalyptic stuff, but not this subgenre which seems to be revenge-flick/car-chase-movie-but-with-monster-trucks.

I do love Charlize Theron though (who was in “Fury Road”), and Anya Taylor-Joy did an amazing job playing the younger version of Theron’s character, the titular Furiosa. With a prosthetic nose, Chris Hemsworth was unrecognizable – and also amazing – as Dementus, the warlord of a biker gang.

I liked this more than “Fury Road,” if only because I was able to follow the plot better this time. I was on the edge of my seat the entire 148 minutes, which I guess is a good sign – if you’re the type of person who likes experiencing anxiety for fictional characters. There’s a lot of torture and other gross stuff that inspires disgust and dread (and I think that’s probably the goal here). Despite knowing Furiosa had plot armor, it was intense and suspenseful. I admit that’s better than watching a movie where you don’t care what happens to the characters, but I was relieved when it was over.

George Miller is a skilled filmmaker; he brings you right into this cruel and gritty futuristic world. The problem is that I don’t want to be there.

I felt the same way about “Dune: Part Two.” The cast is wonderful (I love Zendaya and Timothee Chalamet), the cinematography makes you feel like you’re in Arrakis – suffering with them. It is emotional and dark and not a place I want to be for 166 minutes.

Like “Furiosa,” it’s unsettling and creepy. If you compare “Furiosa” and “Dune” to say, the “Guardians of the Galaxy” movies, which are also violent and sometimes dark, at least the Guardians series is balanced with lighthearted, hopeful moments, connection, and humor, whereas “Dune” and “Furiosa” are bleak and depressing.

Of course, I realize these movies aren’t trying to be Marvel movies. The new Dune films are directed by Denis Villeneuve, who has earned nominations and awards, but is not known for uplifting, feel-good movies. (And the books are bleak as well.)

My take is that real life is depressing enough. And I live in a hot desert; I don’t care to watch it onscreen. To make matters worse, we saw this in the theater and the electricity went out. We had to evacuate the building halfway through the film and didn’t get around to watching it again until a couple weeks later.

Another sequel to a movie franchise that began in the ’80s, “Ghostbusters: Frozen Empire,” came out in March and we saw it in theaters. It was a little more fun than 2021’s “Ghostbusters: Afterlife,” maybe because we were just meeting the newer characters for the first time and now we “know” them. This time around, they’re in New York City, battling a powerful entity known as Garraka.

It’s not deep or earth-shattering; it’s Ghostbusters. But it’s entertaining enough and it’s less than two hours long (but not much less, at 115 minutes).

The fourth film in a franchise rebooted in 2011, “Kingdom of the Planet of the Apes” takes place 300 years after the events of the previous film (“War for the Planet of the Apes,” 2017). This one was 145 minutes. Why are all these movies longer than two hours?

Even though the characters are mostly chimpanzees, it reminded me of “Furiosa.” Postapocalyptic worlds, kidnappings, revenge, etc. And again, it’s stunning and impressive. If you’ve seen any of these movies, you know the CGI looks convincing and real. I just wish they’d spent as much time and effort stitching up all the plot holes.

Another sequel coming up this summer is “Alien: Romulus,” the seventh movie in the Alien franchise. It is set between the events of the first two movies, “Alien” (1979) and “Aliens” (1986). It will be in theaters Aug. 16.

In yet more prequel/sequel/reboot news: The second season of “The Lord of the Rings: The Rings of Power” will be available on Amazon Prime on Aug. 29.

Season 2 of the other long blond wig show, “House of the Dragon,” will premiere on HBO on June 16.

Here’s hoping they start off with a bang instead of the slow burn that characterized their first seasons.

Over on Disney+, the miniseries “Agatha All Along” (a spinoff of the Marvel series “WandaVision”) will air the first two episodes on Sept. 18, with subsequent episodes released weekly.

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The greatest (and not as great) sci-fi and fantasy of 2022

Posted on by earthtoshawna

Hey sci-fi people! I’m finishing up my end of the year roundup, right under the wire. I haven’t seen everything, obviously, and other than lack of time, the main reasons for that are: I don’t really love horror (in case you’re thinking, “What about ‘Nope’?”) and also, I don’t subscribe to every streaming service. It’s getting a little out of hand, all these increasingly expensive streaming services, am I right? But that’s a complaint for another post.

Wakanda Forever!

Here are my awards for sci-fi and fantasy films of 2022:

Favorite Movie of the Year: “Black Panther: Wakanda Forever.” Was it perfect? No. Is it going to win Best Picture award at the Oscars? Probably not. But I loved it. It was beautifully done, and after the disappointments that were the Thor and Doc Strange sequels, “Wakanda” was just what I needed. It was exciting and unpredictable without being too silly (“Love and Thunder”) or too creepy (“Multiverse of Madness”). It was a great tribute to Chadwick Boseman and a great addition to the MCU, but also a good movie in general.

‘Everything Everywhere All at Once’ lives up to its title.

Wackiest movie: “Everything Everywhere All at Once” is getting all kinds of nominations for the Golden Globe and Critics’ Choice awards, which is cool, and I love Michelle Yeoh; she’s one of my favorite actresses. This absurdist movie about parallel universes was so frenetic and crazy I don’t think I will watch it again, but it was definitely something, even if it wasn’t my favorite.

Favorite dance scene: “After Yang.” There were a lot of good dance scenes in movies and TV this year. I loved the dance-off in “Umbrella Academy,” and Frenchie and Kimiko’s old-timey musical number in “The Boys.” Wednesday Addams’ self-choreographed goth dance on the Netflix series even went viral. But the one that gets my vote is the family dance competition in the opening credits of the Colin Farrell film “After Yang.” I like funny, what can I say? Unfortunately, there isn’t much humor in the rest of the film, about a family dealing with the loss of their humanoid robot companion. Quiet and melancholic, “After Yang” is the polar opposite of “Everything Everywhere All at Once” in its pace.

This is not the happy-go-lucky genie from Aladdin’s lamp.

Movie that Put Me in a Funk: “Three Thousand Years of Longing.” Speaking of melancholy, this movie about a djinn (Idris Elba) released from his bottle by a professor (Tilda Swinton) gave me the sads. It didn’t earn big box office bucks, which I suspect may have been due to poor marketing, but also the way the story is framed: The bulk of the film is taken up with the djinn telling the professor stories of how he ended up in the bottle. I love Swinton and Elba, and I wanted to love this, but the djinn’s stories aren’t all that interesting, and they take up the whole movie so there’s no depth to the relationship the djinn and Alithea have with each other. I want more from a movie that’s supposed to be about magic and storytelling. What can we learn from a being that has been alive for thousands of years? Humans are awful, and loneliness sucks? I already know that. When the credits rolled, I didn’t feel charmed. Just depressed.

Most impressive effects: “Avatar: The Way of Water.” I just talked about this film in my last post, so I won’t go into detail. I also recently found out it’s being boycotted, and perhaps justifiably so. A topic for a different post. I’ll just say the controversy doesn’t change the fact that the effects are indeed impressive and leave it at that.

Sci-fi and fantasy series

I watched more series than films this year, and there were a lot of good ones. There were also some that were OK but could have been better. Here we go:

‘Andor’ – the best thing to happen to Star Wars since baby Yoda.

Started Out Boring but Turned Out to be the Best New Series of the Year (aka “The Expanse” award) goes to “Andor,” on Disney+. I think a lot of Star Wars fans got burned out on the barren desert boringness of “The Book of Boba Fett” and “Obi-Wan Kenobi.” Expecting us to get excited about a prequel of a prequel was a big ask. The first couple episodes had me feeling “whatever” about it, but by the end, I was blown away by this series. Diego Luna earned a nomination as the title character, and Andy Serkis was intense as Kino Loy, a floor manager in a prison complex. And I’m still thinking about that Stellan Skarsgård speech. Great writing, great acting. More Star Wars like this, please!

‘Undone’ – doing the time warp again.

Season 2 Which was Even Better than Season 1: “Undone,” on Amazon Prime. I have sung the praises of this awesome show multiple times, so I won’t go on and on but if you haven’t watched it yet, this is your reminder. It has cool animation and time travel and Bob Odenkirk. Runner-up: “Russian Doll” on Netflix.

Series That Should Get a Season 2 but Was Cancelled: “Paper Girls.” The Amazon Prime series is an adaptation of a comic book by the author of my favorite comic, “Saga,” Brian K. Vaughan, who describes “Paper Girls” as a cross between “Stand by Me” and “Terminator.” Four paper delivery girls living in 1988 are swept up in a time travel conflict and transported to the year 2019. One of my favorite comedians, Ali Wong, plays one of the girls as an adult in 2019. I really liked this one; it’s too bad it didn’t get the marketing or renewal it deserved. (I assume it’s because all of Amazon’s marketing budget went to the next series on this list.) Maybe “Paper Girls” will get picked up by another streaming service. Fingers crossed.

Most Expensive Series that Should Have Been Better: “The Lord of the Rings: The Rings of Power,” on Amazon Prime. This wasn’t really bad, and in fact I will watch Season 2 since I did like the last couple episodes. But overall, it was a bit of a snooze fest, which it shouldn’t have been, considering it cost more than all the LOTR movies combined. The total reported price tag for Season 1 was $715 million. Yikes. Runner-up: HBO’s “House of the Dragon.”

Joseph Quinn mastered that Metallica cover.

Best Musical Scene: Everyone’s favorite dungeon master Eddie Munson on “Stranger Things” playing “Master of Puppets” to lure the demon bats away from his friends – the ultimate guitar hero! The actor who plays Munson, Joseph Quinn, is really playing the guitar in that scene; he practiced the Metallica song for months.

That’s it, folks! Happy New Year.

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‘Dragon,’ ‘Rings,’ and ‘Andor’ start slow but get better

Posted on by earthtoshawna

I know I complained in my last post about how much I don’t care about all these new shows, but some of them did get more interesting since then.

I will start with “The Lord of the Rings: The Rings of Power” (Amazon Prime). Galadriel (Morfydd Clark) is a great character, and one that didn’t get a lot of screen time in the movies, so it was nice to see her story. I enjoyed some of the new characters also. I especially loved Nori and her bestie, Poppy. It struck me as touching and sort of rare to see their friendship in a show like this. Men dominate the books and films so it was refreshing to get some girl power this time around. (Fiona Apple’s beautiful voice singing “Where the Shadows Lie,” at the end of the season finale, was the icing on the cake.)

The series was beautiful and well-cast, but it took its sweet time to get interesting. It wasn’t until the last episode or two that it started to pick up the pace. That was my main beef with this series and in the slow category, it’s the worst offender on today’s list. There were some interesting twists and it would have been nice if they got there sooner. That being said, I will for sure be watching Season 2, which is already in production.

Alicent (Olivia Cooke) and Rhaenerya (Emma D’Arcy), “House of the Dragon.”

I was not thrilled about “House of the Dragon” before it premiered and I didn’t love the first couple episodes, but it grew on me. Because of its slow start (and because the last season of “Game of Thrones” was terrible and left a bad taste in my mouth), Season 1 of “House of the Dragon” doesn’t hold a candle to the first season of “Game of Thrones.” But I am definitely now hooked and want to see what happens next.

Like “Rings,” “House of the Dragon” is beautiful – the sets, the costumes, the special effects (dragons!), and the cast were all great. Paddy Considine and Matt Smith were wonderful of course, and I was happy to see Olivia Cooke as the adult Alicent, as I liked her in “Ready Player One” and “Me and Earl and the Dying Girl.”

I thought it was interesting that there was such a strong focus on motherhood and childbirth, although it was difficult to watch some of the scenes, as they were so heart wrenching. This series also had a female friendship, albeit one that has soured (to put it mildly).

The women characters got the short end of the stick (as usual), and even Alicent, who seemed to be holding all the cards, was not much more than a pawn. As Rhaenys pointed out to Alicent in the penultimate episode: “You toil still in service to men: your father, your husband, your son.”

Alicent is even somewhat sexually beholden to her spy (the creepy Larys) who has a fetish for the queen regent’s feet. I would like to say that was the most disturbing scene thus far in “House of the Dragon,” but there were, unfortunately, scenes that were worse. That’s my biggest complaint about “House of the Dragon.” In this it is similar to its predecessor; I watched “Game of Thrones” despite its “yuck” factor, not because of it. I would also prefer they tone down the violence a little, but I know that’s not going to happen.

Maarva (Fiona Shaw) is one of the best characters in the Star Wars series “Andor.”

The Star Wars series “Andor,” on Disney+, is not yet done airing its first season, and I’m still not sure how I feel about it.

Sometimes I find it slow and boring and feel too scattered to keep up with the allegorical and political nuances of the series. Other times I am invested, sitting at the edge of my seat and biting my nails.

Diego Luna is an amazing actor, reprising his role as Cassian Andor, and I also love his adoptive mother Maarva (Fiona Shaw), and Rebel leader Vel (Faye Marsay, who portrayed the waif from “Game of Thrones”). It’s also cool to see Mon Mothma (Genevieve O’Reilly) again.

It is well done, and well-cast, but it is depressing, with all the oppressive Imperial forces, but I guess that should be expected from a franchise with the word Wars in the title.

Marvel

If you haven’t already watched the Marvel special “Werewolf by Night,” check it out. Starring Gael Garcia Bernal and Laura Donnelly, it’s an homage to old-timey horror, and perfect for Halloween. It was released Oct. 7, on Disney+.

Wrapping up Phase Four of the Marvel Cinematic Universe are “Black Panther: Wakanda Forever,” in theaters Nov. 11, and “The Guardians of the Galaxy Holiday Special,” Nov. 25, on Disney+.

The new year will bring Phase Five, beginning with the movie “Ant-Man and the Wasp: Quantumania” in February. The first TV series of Phase Five will be the second season of “What If … ?” The first new TV series of Phase Five will be “Secret Invasion.”

Credits: Top photo, “The Lord of the Rings: The Rings of Power,” Amazon Studios; “House of the Dragon,” HBO; “Andor,” Disney Platform Distribution; “Black Panther: Wakanda Forever,” Walt Disney Studios Motion Pictures.

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Tolkien, Marvel, Star Wars, Game of Thrones, repeat

Posted on by earthtoshawna

Well, I think it’s finally happening to me: Franchise burnout. I am really not that impressed with HBO’s “Game of Thrones” prequel series “House of the Dragon,” and Amazon’s “Lord of the Rings” prequel series “The Rings of Power” isn’t blowing me away either. And I’m not eagerly anticipating the new Star Wars series “Andor” (Disney+). I feel like I should want to watch all the new offerings from these popular sci-fi and fantasy franchises but honestly, I kind of just don’t care.

I doubt I would have even bothered with the Targaryens or the saga of Tolkien’s elves if it had not been for my husband convincing me to watch with him. Is it just me? Maybe I’m just tired in general. It’s a balmy 110 degrees where I live and it’s draining my will to do much of anything lately, much less care about Westeros or Middle-earth.

I’m happy to see there’s more diversity than I expected from these two series but both shows are still leaning white and blond, especially (most of) the lead characters. I guess they get points for including actors of different ethnicities, even if they are mostly peripheral characters? (I have read that some people are having a problem with any people of color in these shows, which I find confusing and sad.)

There is more diversity than I expected from these series but there’s still a lot of blond going on. Above, Galadriel from “The Rings of Power”; left, Rhaenyra from “House of the Dragon.”

Another issue I have with these series is that the events took place years before the original series. We already know how “Game of Thrones” ended – who cares what happened 200 years before that? (And let’s face it – the end of “Game of Thrones” sucked, which doesn’t help.)

We also already know what happened in “Lord of the Rings.” Do we really need to know what happened thousands of years before Frodo and Sam went to Mordor?

It seems a bit crazy to me that Amazon paid $250 million(!) for the rights to these stories, and they’re based mostly on appendices!

I realize they are banking on the name to draw viewers, but I would have been more interested in seeing something new. I think the post-apocalyptic Koli trilogy by M. R. Carey would be a fantastic miniseries, if they had the right writers and actors attached.

I would also love to see Charlie Jane Anders’ novel “All the Birds in the Sky” adapted to a movie or series. Her YA novel “Victories Greater Than Death” was picked up by Amazon Prime last year and is being developed by Michael B. Jordan’s production company Outlier Society. Hopefully they’ll do a good job with that so we’ll see more of her stories on the big and small screen.

Don’t get me wrong – “Dragon” and “Rings” aren’t really bad, just sort of boring. I guess it isn’t fair to judge them already since they’ve only released a couple episodes; maybe they are just getting warmed up. After all, “The Expanse” was confusing and boring at first, but it turned out to be awesome. So we’ll see.

“Andor” isn’t out yet. It was supposed to premiere on Aug. 31 but I assume its new release date, Sept. 21, is due to Disney+ not wanting it to compete against “Dragon” and “Rings.”

I hate to say this as a Star Wars fan, but why should we care about a prequel to “Rogue One,” which itself was a (boring) prequel? Having said that, I will probably still watch it. It’s Star Wars! (See, that’s how they get you.) Speaking of Disney, there’s another new Marvel series that just started: “She-Hulk,” which looked incredibly ridiculous in the trailer and actually is sort of ridiculous but is also kind of funny, and not as awful as I expected.

I like that it breaks the “fourth wall” and is sort of tongue-in-cheek, and of course Tatiana Maslany is super talented and adorable, which almost makes up for the silliness and the bad CGI.

That’s all for now. Tune in next time when I hopefully will have changed all my opinions on the aforementioned series because they dramatically improved halfway through!

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