Don’t miss ‘Mickey 17’; skip new LOTR & Captain America

Sitting in the dark theater, watching the many horror trailers, or rather, trying not to watch them, I suddenly realized (with horror) that the movie I was about to watch, “Mickey 17,” might in fact also be a horror movie. I hadn’t even seen a trailer for it. I only knew it was the newest film from Bong Joon-ho, the director of “Snowpiercer,” “Okja,” and “Parasite.”

It isn’t scary. But, like his other films, it’s disturbing and intense (and not for kids). It’s also pretty great. You know going into a Bong movie that it’s going to be dark and funny and meaningful. That’s why I bought tickets for opening weekend, even though I knew almost nothing about it.

(If you also want to go in knowing nothing about it, you may want to come back after you’ve seen it, as the following description includes some spoilers.)

The film, based on an Edward Ashton novel, centers on a mission to colonize a distant planet. The titular Mickey (Robert Pattinson) has signed up to be an “expendable” – his job is to be a guinea pig for things like poisonous gases, radiation, etc. He repeatedly dies and is reborn – from a giant human printer.

Mark Ruffalo plays Kenneth Marshall, an egotistical politician who heads the mission. Most of the crew members have signed on because they’re crazed fanatics who would follow him anywhere. (Remind you of anyone?)

If it sounds silly, it’s supposed to be. It’s one of those crazy movies where you don’t know what is going to happen next. It had a similar vibe to Bong’s movie “Okja,” so if you liked that movie, you would likely enjoy this one. The great thing about Bong’s movies is that while he’s holding a mirror up to our own society, you are laughing and cringing and going along for the ride.

Bong’s style is reminiscent of another well-known director of outlandish and satirical movies, Yorgos Lanthimos. (I much prefer Bong’s style, as Lanthimos’ goal often seems to be inspiring disgust.)

I also was reminded of other clone stories like the 1996 movie “Multiplicity” and the 2019 series “Living with Yourself,” but the clone concept in “Mickey” was only one part of the larger story. Check it out for yourself; I don’t want to give too much away.

Two other movies I had been eagerly anticipating did not live up to my expectations. The first is “Captain America: Brave New World.” The Disney+ series “The Falcon and the Winter Soldier” was well done, and I hoped for this new movie to continue with that level of writing. Unfortunately, the new movie is not one of the better entries in the MCU franchise.

It is possible I was not following along very well, but I found the plot confusing, and a little cheesy. Sam Wilson (who has taken up the mantle and shield of Captain America) and Joaquin Torres investigate a conspiracy involving Thaddeus Ross, who is now the U.S. president and is played by Harrison Ford. (Ross was previously portrayed by William Hurt, who passed away in 2022.)

I will not go into detail, but among the many inconsistencies that don’t make sense to me: “The Falcon and the Winter Soldier” ended with super soldier Isaiah Bradley in hiding. In “Brave New World,” Bradley is no longer in hiding, and no explanation or background is given regarding that plot point.

Another issue I have is with Bucky Barnes, who appears only briefly, and is running for Congress. No explanation is given here either, although there must be one, as this is out of character for the Bucky we have come to know. Perhaps that will be explained in the upcoming “Thunderbolts*” (scheduled to be released May 2), which will, I hope, be more fun.

(Did “Brave New World” meet your expectations? Let me know in the comments or on my Facebook page!)

The animated movie “The Lord of the Rings: The War of the Rohirrim” was just OK. There is an anime vibe, but the backgrounds look like they were taken from photos, which was interesting but also slightly jarring, and I’m not sure if that was the intention.

The plot was formulaic and clichéd: Hera, the strong-willed daughter of the king of Rohan, turns down a marriage proposal from Wulf, the son of a Dunlending lord. Wulf feels entitled to Hera and is angry by the rejection, which leads to the two sides fighting in a long, drawn-out war. It feels Games of Thrones-ish, in that hundreds of people have to die in a war for someone else’s stubbornness and spite. I guess that describes most war stories – and actual wars, for that matter.

Southern California happenings

March is the 10th annual Mermaid Month at the Ventura Harbor Village. Enjoy mermaid-themed treats, scavenger hunts, and shopping specials all month long. Mermaid and pirate cosplay is encouraged.

A special event from 1 to 4 p.m. on March 22 will include mermaid photo ops, ice sculpting, bubble shows, arts and crafts activities for kids, live music, and more. Parking and admission are free.

For details, visit https://www.venturaharborvillage.com/mermaid-month-2025/?2025-03-04/

A Salute to the Women in Sci-Fi convention is coming to Burbank on March 22 and 23. Special guests include Tricia Helfer, Adrianne Palicki, and Denise Richards. All profits will be donated to Los Angeles charities including Defy: Disaster & Random Acts Natural Disaster Recovery Fund. Learn more about this event and purchase tickets here: https://www.creationent.com/cal/scifi_bur/index.html

There are a lot of sci-fi and fantasy conventions coming up – too many to list in this post. To find events in your area, go to https://fancons.com/

The Original Renaissance Pleasure Faire will be Saturdays and Sundays from April 5 to May 18 in Irwindale. Themed weekends include Pirate & Marketplace Weekend April 12 and 13, Cottagecore Weekend April 19 and 20, and RennCon April 26 and 27.

If you have never been to the Faire, I recommend going at least once. It’s especially fun to dress up in costume, and there are lots of vendors and shows, live music, acrobats, jousts, and more.

One of the best things is seeing everyone’s costumes and pretending you’re living in a different era, at least for a few hours.

For more information, and tickets, go to: https://renfair.com/socal/

Universal Studios Hollywood has announced its new Universal Fan Fest Nights, select nights from April 25 to May 18. Themes include Star Trek, Back to the Future, Dungeons & Dragons, One Piece, Jujutsu Kaisen, Harry Potter, and Super Nintendo World, and will include “experiences,” themed food, and exclusive merchandise. You can buy tickets here: https://www.universalstudioshollywood.com/hhn/things-to-do/events-and-seasonal-activities/fan-fest-nights

I didn’t watch the Oscars this year, but I was very happy to hear the movie “Flow” won for Best Animated Feature. It was the first indie film to win in this category, and it was the first Latvian movie to win an Academy Award and a Golden Globe.

Congrats to filmmaker Gints Zilbalodis!

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Cosplay at the Ren Faire

If you haven’t been to the Ren Faire yet this year, there’s still time – there are four weekends left! The Original Renaissance Pleasure Faire in Irwindale, California, is open Saturdays and Sundays through May 19.

The theme this weekend, April 27 and 28, is RennCon, a cosplay event where almost anything goes! Dress like your favorite sci-fi, fantasy, anime, comic book, TV, or fairy tale character.

Described as “the biggest costume party in L.A.,” RennCon will feature various cosplay panels, and a time traveler costume contest. More information can be found at renfair.com. (Make sure to check out their page about directions to the faire too – the GPS will not show you the quickest way to the parking lot.)

The Bristol Renaissance Faire begins July 6, and the New York Renaissance Faire begins Aug. 17.

This year, my family and I dressed as pirates from the series “Our Flag Means Death.” I went as Buttons and wore a bird on my head. Several people recognized us; my seagull, Carl, attracted a lot of attention and comments.

It would have been awesome if the bird show was there this year. Carl would have fit right in! But we did catch the joust, and lots of great performers, including Seraphim Arabesque Ensemble and Clan Tynker Family Circus.

It’s always fun to see what new wares the vendors are selling, and we got some trinkets and souvenirs. There were lots of food and drink vendors as well. But the best part of the faire is seeing all the costumes worn by faire workers and visitors.

It was hot – if you go, bring a shade parasol or fan, or you can purchase them at the faire.

In other news:

I finally started “Resident Alien.” I like Alan Tudyk and it’s sci-fi, so I don’t know why it has taken me so long to watch it.

My verdict thus far: It’s OK. It’s interesting enough to keep watching but it isn’t my favorite. To be fair, I’ve only seen one season (there are three); maybe it gets better.

It reminds me of Matt Haig’s novel “The Humans,” which was published 10 years ago, but I just read it a few months ago. The premise is similar, but the book is better.

The fifth and final season of “Star Trek: Discovery” began April 4 and will run through May 30. I will be sad to see it go, but at least there’s still “Star Trek: Strange New Worlds,” the third season of which is expected sometime next year.

Jenna Ortega

I’m super excited that Kazuo Ishiguro’s novel “Klara and the Sun” is being made into a film – and it will be directed by Taika Waititi! Jenna Ortega stars as the title character, a solar-powered android. (If you’ve seen Ortega in “Wednesday,” you know this is great casting.) The movie is already in production and expected to be released later this year.

Speaking of Ortega, “Beetlejuice Beetlejuice” is coming out Sept. 6. Ortega will play the daughter of Winona Ryder’s character from the 1988 movie.

The upcoming Star Wars series “The Acolyte” will premiere on Disney+ on June 4.

The fourth and final season of “The Umbrella Academy” is scheduled to be released on Netflix on Aug. 8.

And last but not least, “Deadpool & Wolverine” will be in theaters July 26. I will leave you with the trailer. Enjoy!

All Renaissance Faire photos by EarthToShawna, 2024. Photo of Ewen Bremner as Buttons on “Our Flag Means Death,” HBO Max; “Resident Alien,” Syfy; “Deadpool & Wolverine,” Walt Disney Studios Motion Pictures.

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‘I am woman, hear me roar!’ New tales of monstrous women to read and watch

original_400_600I was at the library for “Monstress” (more on that later) when I picked up Julia Armfield’s book, “Salt Slow,” on impulse. I had never heard of the author (it’s her first book), and I was pleasantly surprised to discover it’s a collection of feminist fairy tales and ghost stories!

Armfield’s characters are not what they seem; they subtly become sinister, evoking the spirits of old-fashioned monsters from Greek mythology, Grimm’s fairy tales, and classic horror movies, but with an original and modern twist.

A wolf dressed in a pinafore calls to mind an image of the Big Bad Wolf in Grandmother’s nightgown. A woman is visited by her undead lover. City dwellers become a population of insomniacs when they’re separated from their “Sleeps” – wraith-like creatures who take on lives of their own.

Because short stories aren’t usually my thing, they have to be special to be worth my time, and these qualify. One benefit of the medium is that you can enjoy the book in bite-sized pieces, saving the rest of the package for later, instead of finishing it all at once. I savored the stories of “Salt Slow,” and look forward to reading more of her work.

Monstress

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I’m late to this party, but that just means I don’t have to wait for the next installment of this awesome comic, set in a matriarchal world of sorceresses and magical creatures. The title character is Maika Halfwolf, a teenager who is bonded to/possessed by a powerful demon.

monstress-volume-4Maika embarks on a journey of discovery and revenge, and … well, I’m only on Vol. 2 but I like the story so far and will report back when I’m all caught up! I’m trying not to rush through the series.

Written by Marjorie Liu and illustrated by Sana Takeda, “Monstress” is published by Image Comics, which also publishes two of my other favorite comics, “Rat Queens” and “Saga.” 

Like “Saga,” “Monstress” deals with the big stuff: racism, war, etc. The comic has won several Eisner and Hugo awards, which is not surprising: It has a fresh, original (and grisly) story, and beautiful art.

Volume Four, which collects issues 19 through 24, was published in September.

Maleficent: Mistress of Evil

“Maleficent,” released in 2014, was a remake of “Sleeping Beauty,” told from the villain’s side of the story. It was clever and beautiful and I loved it. So I ignored the sequel’s score on Rotten Tomatoes, and I’m glad I did.

The new movie is – like the first one – a visual masterpiece, which makes up for the fact that the story is not quite as good as the first.

Angelina Jolie and Elle Fanning reprise their roles as Maleficent and Aurora. The sequel picks up a few years after the events of the first film.

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Maleficent is once again maligned/feared/hated, all the old rumors swirling, but this time in the neighboring kingdom of Ulstead, the home of Prince Phllip. Phillip’s mother, the queen, is played by Michelle Pfeiffer.

Phillip has been recast but is about the same level of interesting as the prince from the original. The women are the MVPs here, but I do love Diaval, the loyal man/raven played by Sam Riley in both films. (Perhaps he is the ideal man – one who can be controlled with a snap of one’s fingers!)

There were mixed reviews even among my own party, so I guess this film isn’t for everyone. Maybe you have to be in the right mood, and I was in it. If you could use a dose of girl power, take your daughter, your niece, or your besties, and go see it.

Credits: “Maleficent: Mistress of Evil” and “Maleficent,” Walt Disney Studios Motion Pictures; “Salt Slow,” Julia Armfield, Flatiron Books, October 2019; “Monstress,” Image Comics. 

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‘Game of Thrones’ Season 6 finale not terribly shocking

If you haven’t seen the Season 6 finale of “Game of Thrones,” you may want to come back after you’ve seen it. This is your spoiler warning.

Let’s talk about Cersei’s industrial goth dress. I’m guessing someone in the costume department has seen the “Hellraiser” movies way too many times, because I feel like I’m watching Clive Barker’s “Game of Thrones.” Let’s not forget the Night King looking like Pinhead’s distant cousin:

Everything is happening, and it’s about time. We knew Cersei was planning something sinister, but who knew how big it would be? That wildfire explosion was crazy. One thing I didn’t see coming was the end of Margaery, Loras, and Mace Tyrell. But I was happy to see those pesky Sparrows go down.

Walder Frey also had it coming to him, after the carnage of the Red Wedding. They say revenge is a dish best served cold, but Arya apparently believes it’s a dish best served with one’s sons baked inside. Gross.

The truth of Jon Snow’s parentage was figured out by readers of the books some time ago, so last night’s “shocker” wasn’t much of a revelation, but it was satisfying to see it finally play out on screen, even if we knew all along Jon wasn’t Ned’s bastard son. I think Ned would be proud of the man his nephew has become. “The King in the North!”

Daenerys’ scenes – some of my favorites in the first few seasons – have lately been a batch of fries sitting under a heat lamp while the other stories catch up, so it’s nice that she’s finally going somewhere. The part where she dumps her boyfriend was blah, but it’s so darn touching when she names Tyrion the Hand of the Queen, it almost makes up for it.

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It’s nice that we got to see a little bit of everyone, since it’s the last episode we will get until 2017. But come on, that was not enough of Sam and Gilly. (Cool library! And then we move on.)

I think the most unexpected and breathtaking moment of the finale was Tommen’s suicide. But the most heartbreaking was Davos confronting Melisandre about Shireen’s murder. “I loved that girl like she was my own,” he tells her. “She was good, she was kind, and you killed her!” (Stop making me cry, Onion Knight!)

I love GoT, and I’m going to miss it while it’s gone. Until next year.

In other news

I’m reading Hugh Howey’s post-apocalyptic “Wool” series (which is awesome – go read it right now if you haven’t), and hopefully I will have more news to report about this soon – “Guardians of the Galaxy” writer Nicole Perlman has reportedly been hired to re-write “Wool” for 20th Century Fox and producers Ridley Scott and Steve Zaillian.

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“Wool” began as a stand-alone novella, which Howey published through Amazon’s Kindle Direct Publishing system. Interesting note: Ridley Scott’s “The Martian” also was based on a self-published book. Self-publishing seems to be gaining more respect.

Maybe anyone can write a novel. Maybe even … robots? Yes, as Hugh Howey himself predicted, a novel has recently been written by artificial intelligence. The AI had some help from humans, so writers aren’t obsolete just yet. The novel, a team effort led by Hitoshi Matsubara, a professor at Future University Hakodate, was an attempt to win Japan’s Nikkei Hoshi Shinichi Literary Award. The novel, “The Day a Computer Writes a Novel,” didn’t win, but it passed the first round of screening.

The idea of robots taking over the world is just science fiction, though. Right? Well, not if you believe in a theory known as “technological singularity.” Singularity theorists say that superintelligent machines will one day overtake humans. Of course, there have been multiple books, movies and TV shows about cyborgs, androids, robots, or machines overthrowing humans. Most of them seem too far-fetched to come true, but some of them (“Ex Machina” and “Her”) seem eerily possible.

Moving on to a more scientifically plausible prediction about non-human intelligence, a Cornell student recently estimated that Earth won’t contact alien life for another 1,500 years. This might sound like a wild guess, but it’s based on math: Evan Solomonides and professor Yervant Terzian presented a paper earlier this month, at the American Astronomical Society meeting, which explains that because we have only been sending signals to space for 80 years, we’ve reached less than one percent of the galaxy. We shouldn’t expect to make contact until we’ve reached at least half of the solar systems in the Milky Way.

The astronomers address what’s known as the Fermi Paradox, which asks: “There must be other planets like Earth, so why have we not heard from them yet?” Solomonides’ answer is a good one, but I will offer up another possibility: Maybe the aliens are just waiting to see if this Trump thing blows over before they decide if we are worth talking to.

“Game of Thrones photos,” HBO.