‘I am woman, hear me roar!’ New tales of monstrous women to read and watch
I was at the library for “Monstress” (more on that later) when I picked up Julia Armfield’s book, “Salt Slow,” on impulse. I had never heard of the author (it’s her first book), and I was pleasantly surprised to discover it’s a collection of feminist fairy tales and ghost stories!
Armfield’s characters are not what they seem; they subtly become sinister, evoking the spirits of old-fashioned monsters from Greek mythology, Grimm’s fairy tales, and classic horror movies, but with an original and modern twist.
A wolf dressed in a pinafore calls to mind an image of the Big Bad Wolf in Grandmother’s nightgown. A woman is visited by her undead lover. City dwellers become a population of insomniacs when they’re separated from their “Sleeps” – wraith-like creatures who take on lives of their own.
Because short stories aren’t usually my thing, they have to be special to be worth my time, and these qualify. One benefit of the medium is that you can enjoy the book in bite-sized pieces, saving the rest of the package for later, instead of finishing it all at once. I savored the stories of “Salt Slow,” and look forward to reading more of her work.
I’m late to this party, but that just means I don’t have to wait for the next installment of this awesome comic, set in a matriarchal world of sorceresses and magical creatures. The title character is Maika Halfwolf, a teenager who is bonded to/possessed by a powerful demon.
Maika embarks on a journey of discovery and revenge, and … well, I’m only on Vol. 2 but I like the story so far and will report back when I’m all caught up! I’m trying not to rush through the series.
Written by Marjorie Liu and illustrated by Sana Takeda, “Monstress” is published by Image Comics, which also publishes two of my other favorite comics, “Rat Queens” and “Saga.”
Like “Saga,” “Monstress” deals with the big stuff: racism, war, etc. The comic has won several Eisner and Hugo awards, which is not surprising: It has a fresh, original (and grisly) story, and beautiful art.
Volume Four, which collects issues 19 through 24, was published in September.
Maleficent: Mistress of Evil
“Maleficent,” released in 2014, was a remake of “Sleeping Beauty,” told from the villain’s side of the story. It was clever and beautiful and I loved it. So I ignored the sequel’s score on Rotten Tomatoes, and I’m glad I did.
The new movie is – like the first one – a visual masterpiece, which makes up for the fact that the story is not quite as good as the first.
Angelina Jolie and Elle Fanning reprise their roles as Maleficent and Aurora. The sequel picks up a few years after the events of the first film.
Maleficent is once again maligned/feared/hated, all the old rumors swirling, but this time in the neighboring kingdom of Ulstead, the home of Prince Phllip. Phillip’s mother, the queen, is played by Michelle Pfeiffer.
Phillip has been recast but is about the same level of interesting as the prince from the original. The women are the MVPs here, but I do love Diaval, the loyal man/raven played by Sam Riley in both films. (Perhaps he is the ideal man – one who can be controlled with a snap of one’s fingers!)
There were mixed reviews even among my own party, so I guess this film isn’t for everyone. Maybe you have to be in the right mood, and I was in it. If you could use a dose of girl power, take your daughter, your niece, or your besties, and go see it.
Credits: “Maleficent: Mistress of Evil” and “Maleficent,” Walt Disney Studios Motion Pictures; “Salt Slow,” Julia Armfield, Flatiron Books, October 2019; “Monstress,” Image Comics.
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