Andor

‘Andor’ is must-see sci-fi TV; ‘Electric State’ misses the mark

Posted on by earthtoshawna

I will get my negative reviews out of the way first: I did not love “The Electric State.” It is set in the ’90s – an alternate ’90s in which humans have been at war with robots.

It stars Millie Bobby Brown and Chris Pratt, who I love, and is directed by the Russo brothers – it should have been a hit. Unfortunately, it was kind of dumb and I don’t recommend it.

I finally got through Season 3 of “The Witcher.” I really liked the first couple seasons of this series, but then it veered into “Xena: Warrior Princess” territory and now I’m over it. Henry Cavill will be replaced with Liam Hemsworth for Season 4, which clinches my decision.

Michelle Yeoh’s character in “Star Trek: Discovery” was cool, but the spinoff movie didn’t live up to my expectations. I can’t pinpoint exactly where it went wrong; I guess it was just too cliched and silly. (It seems to be going around.)

Let’s talk about Season 2 of the Star Wars series “Andor,” on Disney+. Although Season 1 took a few episodes to get interesting, Season 2 hit the ground running.

In the first episode of the season, Cassian impersonates an Imperial pilot in order to steal a prototype of a new ship – the TIE Avenger (I predict a new Lego set!), while Bix, Brasso, and Wilmon hide out on the agricultural planet Mina-Rau. On Chandrila, Mon Mothma prepares for her daughter’s arranged marriage.

It’s been two and a half years since Season 1; I sort of wish I’d rewatched it before beginning Season 2, and if you haven’t started Season 2 yet, I’d recommend doing that. Still, it’s very suspenseful and exciting. As much as I love Mando and Grogu, “Andor” is arguably the most well-done of all the Star Wars TV series.

In the last season and this one, the most powerful scenes are those in which the characters realize the consequences of their decisions and sacrifices. Sacrifice is a major theme in “Andor.” The writers also leaned hard into allegory this season, with the Empire and the Resistance mirroring our current political climate.

One more thing I will say about “Andor” is that while it’s essentially good guys vs. bad guys, there’s more of a blurring of the lines with some of the characters; for example, some of the “good” guys do some very bad things – for a good cause. It is a gray area that hasn’t been seen much in this franchise and boosts this series above the others.

Upcoming films and series

Neill Blomkamp is working on a new “Starship Troopers” movie! This is less a remake of the 1997 Paul Verhoeven film, and more an adaptation of the 1959 novel by Robert A. Heinlein. I really like Blomkamp’s films “District 9,” “Elysium,” and “Chappie,” so I am looking forward to seeing his interpretation of “Starship Troopers.”

If you did not see “The Old Guard,” I wholeheartedly recommend it; it’s on Netflix. I may rewatch it myself before the sequel is released July 2 (also on Netflix), as it has been five years since the first film. Charlize Theron stars as Andromache of Scythia, an immortal mercenary who has been around for thousands of years. It is an adaptation of a comic book (which is also good) by Greg Rucka.

The sequel will have a different director than that of the first movie. Victoria Mahoney took over directing duties from Gina Prince-Bythewood, who is a producer on the film. Theron, KiKi Layne, Marwan Kenzari, Luca Marinelli, Matthias Schoenaerts, Van Veronica Ngo, and Chiwetel Ejiofor will reprise their roles, and Uma Thurman and Henry Golding have been added to the cast for the sequel.

I loved “Thunderbolts,” as you know if you read my last post. Next up in the Marvel Cinematic Universe is “The Fantastic Four: First Steps.”

After several not-so-great movies of this quartet, I’m not super hyped about another attempt, but maybe it will surprise me.

I do love the cast: Pedro Pascal, Joseph Quinn, Ebon Moss-Bachrach, and Vanessa Kirby star as the team of four superheroes who must save their 1960s-inspired planet (a parallel Earth).

It will be in theaters July 25.

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The greatest (and not as great) sci-fi and fantasy of 2022

Posted on by earthtoshawna

Hey sci-fi people! I’m finishing up my end of the year roundup, right under the wire. I haven’t seen everything, obviously, and other than lack of time, the main reasons for that are: I don’t really love horror (in case you’re thinking, “What about ‘Nope’?”) and also, I don’t subscribe to every streaming service. It’s getting a little out of hand, all these increasingly expensive streaming services, am I right? But that’s a complaint for another post.

Wakanda Forever!

Here are my awards for sci-fi and fantasy films of 2022:

Favorite Movie of the Year: “Black Panther: Wakanda Forever.” Was it perfect? No. Is it going to win Best Picture award at the Oscars? Probably not. But I loved it. It was beautifully done, and after the disappointments that were the Thor and Doc Strange sequels, “Wakanda” was just what I needed. It was exciting and unpredictable without being too silly (“Love and Thunder”) or too creepy (“Multiverse of Madness”). It was a great tribute to Chadwick Boseman and a great addition to the MCU, but also a good movie in general.

‘Everything Everywhere All at Once’ lives up to its title.

Wackiest movie: “Everything Everywhere All at Once” is getting all kinds of nominations for the Golden Globe and Critics’ Choice awards, which is cool, and I love Michelle Yeoh; she’s one of my favorite actresses. This absurdist movie about parallel universes was so frenetic and crazy I don’t think I will watch it again, but it was definitely something, even if it wasn’t my favorite.

Favorite dance scene: “After Yang.” There were a lot of good dance scenes in movies and TV this year. I loved the dance-off in “Umbrella Academy,” and Frenchie and Kimiko’s old-timey musical number in “The Boys.” Wednesday Addams’ self-choreographed goth dance on the Netflix series even went viral. But the one that gets my vote is the family dance competition in the opening credits of the Colin Farrell film “After Yang.” I like funny, what can I say? Unfortunately, there isn’t much humor in the rest of the film, about a family dealing with the loss of their humanoid robot companion. Quiet and melancholic, “After Yang” is the polar opposite of “Everything Everywhere All at Once” in its pace.

This is not the happy-go-lucky genie from Aladdin’s lamp.

Movie that Put Me in a Funk: “Three Thousand Years of Longing.” Speaking of melancholy, this movie about a djinn (Idris Elba) released from his bottle by a professor (Tilda Swinton) gave me the sads. It didn’t earn big box office bucks, which I suspect may have been due to poor marketing, but also the way the story is framed: The bulk of the film is taken up with the djinn telling the professor stories of how he ended up in the bottle. I love Swinton and Elba, and I wanted to love this, but the djinn’s stories aren’t all that interesting, and they take up the whole movie so there’s no depth to the relationship the djinn and Alithea have with each other. I want more from a movie that’s supposed to be about magic and storytelling. What can we learn from a being that has been alive for thousands of years? Humans are awful, and loneliness sucks? I already know that. When the credits rolled, I didn’t feel charmed. Just depressed.

Most impressive effects: “Avatar: The Way of Water.” I just talked about this film in my last post, so I won’t go into detail. I also recently found out it’s being boycotted, and perhaps justifiably so. A topic for a different post. I’ll just say the controversy doesn’t change the fact that the effects are indeed impressive and leave it at that.

Sci-fi and fantasy series

I watched more series than films this year, and there were a lot of good ones. There were also some that were OK but could have been better. Here we go:

‘Andor’ – the best thing to happen to Star Wars since baby Yoda.

Started Out Boring but Turned Out to be the Best New Series of the Year (aka “The Expanse” award) goes to “Andor,” on Disney+. I think a lot of Star Wars fans got burned out on the barren desert boringness of “The Book of Boba Fett” and “Obi-Wan Kenobi.” Expecting us to get excited about a prequel of a prequel was a big ask. The first couple episodes had me feeling “whatever” about it, but by the end, I was blown away by this series. Diego Luna earned a nomination as the title character, and Andy Serkis was intense as Kino Loy, a floor manager in a prison complex. And I’m still thinking about that Stellan Skarsgård speech. Great writing, great acting. More Star Wars like this, please!

‘Undone’ – doing the time warp again.

Season 2 Which was Even Better than Season 1: “Undone,” on Amazon Prime. I have sung the praises of this awesome show multiple times, so I won’t go on and on but if you haven’t watched it yet, this is your reminder. It has cool animation and time travel and Bob Odenkirk. Runner-up: “Russian Doll” on Netflix.

Series That Should Get a Season 2 but Was Cancelled: “Paper Girls.” The Amazon Prime series is an adaptation of a comic book by the author of my favorite comic, “Saga,” Brian K. Vaughan, who describes “Paper Girls” as a cross between “Stand by Me” and “Terminator.” Four paper delivery girls living in 1988 are swept up in a time travel conflict and transported to the year 2019. One of my favorite comedians, Ali Wong, plays one of the girls as an adult in 2019. I really liked this one; it’s too bad it didn’t get the marketing or renewal it deserved. (I assume it’s because all of Amazon’s marketing budget went to the next series on this list.) Maybe “Paper Girls” will get picked up by another streaming service. Fingers crossed.

Most Expensive Series that Should Have Been Better: “The Lord of the Rings: The Rings of Power,” on Amazon Prime. This wasn’t really bad, and in fact I will watch Season 2 since I did like the last couple episodes. But overall, it was a bit of a snooze fest, which it shouldn’t have been, considering it cost more than all the LOTR movies combined. The total reported price tag for Season 1 was $715 million. Yikes. Runner-up: HBO’s “House of the Dragon.”

Joseph Quinn mastered that Metallica cover.

Best Musical Scene: Everyone’s favorite dungeon master Eddie Munson on “Stranger Things” playing “Master of Puppets” to lure the demon bats away from his friends – the ultimate guitar hero! The actor who plays Munson, Joseph Quinn, is really playing the guitar in that scene; he practiced the Metallica song for months.

That’s it, folks! Happy New Year.

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‘Dragon,’ ‘Rings,’ and ‘Andor’ start slow but get better

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I know I complained in my last post about how much I don’t care about all these new shows, but some of them did get more interesting since then.

I will start with “The Lord of the Rings: The Rings of Power” (Amazon Prime). Galadriel (Morfydd Clark) is a great character, and one that didn’t get a lot of screen time in the movies, so it was nice to see her story. I enjoyed some of the new characters also. I especially loved Nori and her bestie, Poppy. It struck me as touching and sort of rare to see their friendship in a show like this. Men dominate the books and films so it was refreshing to get some girl power this time around. (Fiona Apple’s beautiful voice singing “Where the Shadows Lie,” at the end of the season finale, was the icing on the cake.)

The series was beautiful and well-cast, but it took its sweet time to get interesting. It wasn’t until the last episode or two that it started to pick up the pace. That was my main beef with this series and in the slow category, it’s the worst offender on today’s list. There were some interesting twists and it would have been nice if they got there sooner. That being said, I will for sure be watching Season 2, which is already in production.

Alicent (Olivia Cooke) and Rhaenerya (Emma D’Arcy), “House of the Dragon.”

I was not thrilled about “House of the Dragon” before it premiered and I didn’t love the first couple episodes, but it grew on me. Because of its slow start (and because the last season of “Game of Thrones” was terrible and left a bad taste in my mouth), Season 1 of “House of the Dragon” doesn’t hold a candle to the first season of “Game of Thrones.” But I am definitely now hooked and want to see what happens next.

Like “Rings,” “House of the Dragon” is beautiful – the sets, the costumes, the special effects (dragons!), and the cast were all great. Paddy Considine and Matt Smith were wonderful of course, and I was happy to see Olivia Cooke as the adult Alicent, as I liked her in “Ready Player One” and “Me and Earl and the Dying Girl.”

I thought it was interesting that there was such a strong focus on motherhood and childbirth, although it was difficult to watch some of the scenes, as they were so heart wrenching. This series also had a female friendship, albeit one that has soured (to put it mildly).

The women characters got the short end of the stick (as usual), and even Alicent, who seemed to be holding all the cards, was not much more than a pawn. As Rhaenys pointed out to Alicent in the penultimate episode: “You toil still in service to men: your father, your husband, your son.”

Alicent is even somewhat sexually beholden to her spy (the creepy Larys) who has a fetish for the queen regent’s feet. I would like to say that was the most disturbing scene thus far in “House of the Dragon,” but there were, unfortunately, scenes that were worse. That’s my biggest complaint about “House of the Dragon.” In this it is similar to its predecessor; I watched “Game of Thrones” despite its “yuck” factor, not because of it. I would also prefer they tone down the violence a little, but I know that’s not going to happen.

Maarva (Fiona Shaw) is one of the best characters in the Star Wars series “Andor.”

The Star Wars series “Andor,” on Disney+, is not yet done airing its first season, and I’m still not sure how I feel about it.

Sometimes I find it slow and boring and feel too scattered to keep up with the allegorical and political nuances of the series. Other times I am invested, sitting at the edge of my seat and biting my nails.

Diego Luna is an amazing actor, reprising his role as Cassian Andor, and I also love his adoptive mother Maarva (Fiona Shaw), and Rebel leader Vel (Faye Marsay, who portrayed the waif from “Game of Thrones”). It’s also cool to see Mon Mothma (Genevieve O’Reilly) again.

It is well done, and well-cast, but it is depressing, with all the oppressive Imperial forces, but I guess that should be expected from a franchise with the word Wars in the title.

Marvel

If you haven’t already watched the Marvel special “Werewolf by Night,” check it out. Starring Gael Garcia Bernal and Laura Donnelly, it’s an homage to old-timey horror, and perfect for Halloween. It was released Oct. 7, on Disney+.

Wrapping up Phase Four of the Marvel Cinematic Universe are “Black Panther: Wakanda Forever,” in theaters Nov. 11, and “The Guardians of the Galaxy Holiday Special,” Nov. 25, on Disney+.

The new year will bring Phase Five, beginning with the movie “Ant-Man and the Wasp: Quantumania” in February. The first TV series of Phase Five will be the second season of “What If … ?” The first new TV series of Phase Five will be “Secret Invasion.”

Credits: Top photo, “The Lord of the Rings: The Rings of Power,” Amazon Studios; “House of the Dragon,” HBO; “Andor,” Disney Platform Distribution; “Black Panther: Wakanda Forever,” Walt Disney Studios Motion Pictures.

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